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Tuesday, October 13, 2026
ZeNetworkNet

Dance Star Matthew Ball on Demanding Roles and Online Attention: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his arms defined beneath a plain white T-shirt. On stage, dancers can appear as powerful deities, yet often offstage they are small. This is not true for Ball, whose height is part of his popularity for princely roles and partnering. Possessing delicate features and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Pinnacle

At 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered little teasing for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial dramatic roles, especially the emotional angst found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured appearance is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a dancer's craft. He will guide the audience through a part, demonstrating his mental workflow while execution. Even in more comedic works, the test is profound. "Don Quixote is one of the most demanding technically," he notes.

The Psychological Struggle and After the Show Feelings

What about after a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get immersed in the role, frequently I do feel embarrassed later. After Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker once remarked on a "kind of suffering in him." Does this exist? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Artistic Influences

His determination originated in youthful setbacks. Not doing well in contests at school made him "vengeful!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next challenge is making his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from books, music, and art.

Close-Up Dance and Private Partnership

He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They are not usually matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Bodily Image

On Instagram, fans can see videos from his projects and photos that showcase a sculpted form. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—an object that can be seen on various ways.

Ball characterizes his younger self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a different thing to the aspirations you made as a child," he reflects. He probably has another ten years of performing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Jeffrey Smith

Lena is a tech journalist and digital strategist based in Amsterdam, covering European innovation.

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